“What you create depends on what you see”
OBSERVE, REFLECT, CREATE as a process that guides thought into an open, profound and shared interpretative dimension, which encourages to stop LOOKING in order to start SEEING. Through sight you reach into a personal, subjective condition. OBSERVING is like SEEING, “to observe slowly” leads to noticing previously ignored details that change the way you conceive and perceive the observed; what is noticed “draws out”, pushes elsewhere and helps to elaborate the projected thought; what is interiorized through sight is pure creation.
To go beyond sensation in order to reach what is objectively recognizable by submerging oneself in an absurd esthetic, which leads to the unusual through alienating optical perceptions. What is concretely objective takes on an unconventional sense, becoming occasionally disconnected, incomprehensible.
From a concentration of sensations comes the perception of different emotions, without filters that lead to a gradual extrapolation of the unconsciously internalized elements. The processed context now appears
clear. We witness the evolution of the emotional filter; the look is beyond, the cycle is continuous: emotions regenerate with a new recharged strength, evolving beyond the emotional sphere.
The mundane observed by way of free creativity. The place comes from an individual action, where bizarre reality is a projection of the mind. “Making
Space” to create a new, free place. Whatʼs different is welcomed beyond borders, space becomes sharing: “The end is always a surprise”.
Beyond the moment to give time to the instant. The atmosphere is dynamic, everything happens rapidly, in an instant. The figure is unstable, subjects multiply following each other in space. In a fraction of time the action freezes, surroundings are static. The moment continues, movement restarts delicately to then resume speed. Beyond the last moment.
The role of meaning is correlated to objective subjects charged with emphasis and a mix of perceptions through excess and the opposite. The beyond takes shape in a new meaning that maintains the essence of the subject, but changes its function, the context and the object.
To go beyond evidence to overcome, with persuasion, whatʼs objective and its perception. Itʼs through the look that one starts to see and delves into details, going beyond; it is through their interpretation that a role not universally recognized but attributed to evidence is transferred to the subject.
